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Disney to Acquire Marvel Entertainment. Mickey Mouse Owns Spiderman!

Worldwide leader in family entertainment agrees to acquire Marvel and its portfolio of over 5,000 characters

Acquisition highlights Disney’s strategic focus on quality branded content, technological innovation and international expansion to build long-term shareholder value

An investor conference call will take place at approximately 10:15 a.m. EDT / 7:15 a.m. PDT August 31, 2009. Details for the call are listed in the release.

BURBANK, Calif. & NEW YORK–(BUSINESS WIRE)–Building on its strategy of delivering quality branded content to people around the world, The Walt Disney Company (NYSE:DIS) has agreed to acquire Marvel Entertainment, Inc. (NYSE:MVL) in a stock and cash transaction, the companies announced today.

Under the terms of the agreement and based on the closing price of Disney on August 28, 2009, Marvel shareholders would receive a total of $30 per share in cash plus approximately 0.745 Disney shares for each Marvel share they own. At closing, the amount of cash and stock will be adjusted if necessary so that the total value of the Disney stock issued as merger consideration based on its trading value at that time is not less than 40% of the total merger consideration.

Based on the closing price of Disney stock on Friday, August 28, the transaction value is $50 per Marvel share or approximately $4 billion.

“This transaction combines Marvel’s strong global brand and world-renowned library of characters including Iron Man, Spider-Man, X-Men, Captain America, Fantastic Four and Thor with Disney’s creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories,” said Robert A. Iger, President and Chief Executive Officer of The Walt Disney Company. “Ike Perlmutter and his team have done an impressive job of nurturing these properties and have created significant value. We are pleased to bring this talent and these great assets to Disney.”

“We believe that adding Marvel to Disney’s unique portfolio of brands provides significant opportunities for long-term growth and value creation,” Iger said.

“Disney is the perfect home for Marvel’s fantastic library of characters given its proven ability to expand content creation and licensing businesses,” said Ike Perlmutter, Marvel’s Chief Executive Officer. “This is an unparalleled opportunity for Marvel to build upon its vibrant brand and character properties by accessing Disney’s tremendous global organization and infrastructure around the world.”

Under the deal, Disney will acquire ownership of Marvel including its more than 5,000 Marvel characters. Mr. Perlmutter will oversee the Marvel properties, and will work directly with Disney’s global lines of business to build and further integrate Marvel’s properties.

The Boards of Directors of Disney and Marvel have each approved the transaction, which is subject to clearance under the Hart-Scott-Rodino Antitrust Improvements Act, certain non-United States merger control regulations, effectiveness of a registration statement with respect to Disney shares issued in the transaction and other customary closing conditions. The agreement will require the approval of Marvel shareholders. Marvel was advised on the transaction by BofA Merrill Lynch.

Investor Conference Call:

An investor conference call will take place at approximately 10:15 a.m. EDT / 7:15 a.m. PDT today, August 31, 2009. To listen to the Webcast, turn your browser to http://corporate.disney.go.com/investors/presentations.html or dial in domestically at 800-260-8140 or internationally at 617-614-3672. For both dial-in numbers, the participant pass code is 51214527.

The discussion will be available via replay on the Disney investors website through September 14, 2009 at 7:00 PM EDT/4:00 PM PDT.

About The Walt Disney Company

The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with five business segments: media networks, parks and resorts, studio entertainment, interactive media and consumer products. Disney is a Dow 30 company with revenues of nearly $38 billion in its most recent fiscal year.

About Marvel Entertainment, Inc.

Marvel Entertainment, Inc. is one of the world’s most prominent character-based entertainment companies, built on a library of over 5,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in licensing, entertainment (via Marvel Studios and Marvel Animation) and publishing (via Marvel Comics).

Forward-Looking Statements:

Certain statements in this communication may constitute “forward-looking statements” within the meaning of the Private Securities Litigation Reform Act of 1995. Such statements relate to a variety of matters, including but not limited to: the operations of the businesses of Disney and Marvel separately and as a combined entity; the timing and consummation of the proposed merger transaction; the expected benefits of the integration of the two companies; the combined company’s plans, objectives, expectations and intentions and other statements that are not historical fact. These statements are made on the basis of the current beliefs, expectations and assumptions of the management of Disney and Marvel regarding future events and are subject to significant risks and uncertainty. Investors are cautioned not to place undue reliance on any such forward-looking statements, which speak only as of the date they are made. Neither Disney nor Marvel undertakes any obligation to update or revise these statements, whether as a result of new information, future events or otherwise.

Actual results may differ materially from those expressed or implied. Such differences may result from a variety of factors, including but not limited to:

legal or regulatory proceedings or other matters that affect the timing or ability to complete the transactions as contemplated;
the possibility that the expected synergies from the proposed merger will not be realized, or will not be realized within the anticipated time period; the risk that the businesses will not be integrated successfully;
the possibility of disruption from the merger making it more difficult to maintain business and operational relationships;
the possibility that the merger does not close, including but not limited to, due to the failure to satisfy the closing conditions;
any actions taken by either of the companies, including but not limited to, restructuring or strategic initiatives (including capital investments or asset acquisitions or dispositions);
developments beyond the companies’ control, including but not limited to: changes in domestic or global economic conditions, competitive conditions and consumer preferences; adverse weather conditions or natural disasters; health concerns; international, political or military developments; and technological developments.
Additional factors that may cause results to differ materially from those described in the forward-looking statements are set forth in the Annual Report on Form 10-K of Disney for the year ended September 27, 2008, which was filed with the Securities and Exchange Commission (“SEC”) on November 20, 2008, under the heading “Item 1A—Risk Factors” and in the Annual Report on Form 10-K of Marvel for the year ended December 31, 2008, which was filed with the SEC on February 27, 2009, under the heading “Item 1A—Risk Factors,” and in subsequent reports on Forms 10-Q and 8-K and other filings made with the SEC by each of Marvel and Disney.

Important Merger Information and Additional Information:

This communication does not constitute an offer to sell or the solicitation of an offer to buy any securities or a solicitation of any vote or approval. In connection with the proposed transaction, Disney and Marvel will file relevant materials with the SEC. Disney will file a Registration Statement on Form S-4 that includes a proxy statement of Marvel and which also constitutes a prospectus of Disney. Marvel will mail the proxy statement/prospectus to its stockholders. Investors are urged to read the proxy statement/prospectus regarding the proposed transaction when it becomes available, because it will contain important information. The proxy statement/prospectus and other documents that will be filed by Disney and Marvel with the SEC will be available free of charge at the SEC’s website, www.sec.gov, or by directing a request when such a filing is made to The Walt Disney Company, 500 South Buena Vista Street, Burbank, CA 91521-9722, Attention: Shareholder Services or by directing a request when such a filing is made to Marvel Entertainment, Inc., 417 Fifth Avenue New York, NY 10016, Attention: Corporate Secretary.

Disney, Marvel, their respective directors and certain of their executive officers may be considered participants in the solicitation of proxies in connection with the proposed transaction. Information about the directors and executive officers of Marvel is set forth in its definitive proxy statement, which was filed with the SEC on March 24, 2009. Information about the directors and executive officers of Disney is set forth in its definitive proxy statement, which was filed with the SEC on January 16, 2009. Investors may obtain additional information regarding the interests of such participants by reading the proxy statement/prospectus Disney and Marvel will file with the SEC when it becomes available.

See other opinions at Techcrunch


Robert Zemeckis to remake Yellow Submarine

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Sign me up for the drug taking to make this trip.

Disney and Robert Zemeckis are looking to catch the wave of Beatlemania, floating a new 3-D “Yellow Submarine” for the bigscreen, with merchandising in tow and prospects for spinning off both a Broadway musical and a Cirque du Soleil stage production. Disney hopes to have the film ready to premiere around the 2012 Summer Olympics. The deal has been months in the making, with armies of Blue Meanies — er, lawyers — sorting out the complicated rights clearances necessary to remake the 1968 psychedelic toon. Key to the deal is Zemeckis’ access to 16 classic Beatles tunes, ranging from the title song to “Baby You’re a Rich Man,” “All You Need Is Love,” “When I’m 64,” “Lucy in the Sky With Diamonds” and “Sgt. Pepper’s Lonely Hearts Club Band.” – From Variety


Will Brad Pitt play Moriarty in the new Sherlock Holmes film?

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Director Guy Ritchie is confirming that Holmes’ arch-nemesis, Professor Moriarty, will appear in the new film this December. But Ritchie won’t say who is playing Moriarty – leading to speculation that Pitt might be making a cameo – although the studio is quick to deny the rumor. Personally, we love the idea, letting Pitt dive into a different role.

Two days ago word slipped out that Brad Pitt was off to London, where he’d be shooting a few pickup scenes as Moriarty for Guy Ritchie’s December blockbuster “Sherlock Holmes,” starring Robert Downey Jr. and Jude Law. Warner Bros. acted quickly, issuing a statement that Pitt would not be “joining the cast of ‘Sherlock Holmes.’” If wishes were fishes, right? As it turns out, Moriarty will still be making some kind of appearance in “Holmes.” How do we know? Because Ritchie himself told MTV’s Josh Horowitz! I would even go as far as saying — and this is pure speculation — the Pitt may indeed be showing up as Holmes’ nemesis in an uncredited role, since that wouldn’t technically mean he’s “joining the cast.” Think on that as you read what Ritchie had to say. – From MTV


60 Minutes Creator Don Hewitt Dies

Don-Hewitt

Hats off to one of the true innovators in TV history.

“60 Minutes” creator Don Hewitt, 86, who transformed television journalism by showing that news programs could generate money, and who helped make TV an essential part of politics when he produced and directed the first televised debate between U.S. presidential candidates, died Aug. 19 at his home in Bridgehampton, N.Y. He had pancreatic cancer. – From Washington Post


Favre joins Vikings; no one fucking cares, even in Wisconsin

brettfavre

Brett Favre came out of retirement (again), this time to the Minnesota Vikings, the hated enemies of division rival Green Bay Packers.

And no one fucking cares anymore. Not even the good people of Wisconsin, who will watch their hero done their evil rival’s uniform.

Okay, if you care, here’s some shit about this crap over at ESPN.

Brett Favre is coming back for more. The 39-year-old quarterback turned his back on retirement for the second time in as many years, agreeing Tuesday to play for the Minnesota Vikings. “I felt I did everything I possibly could do to get where I need to be,” Favre said at his introductory news conference Tuesday. “You’re 39, your arm may not feel like it did at 21. But the pieces are in place that you don’t have to do that much and I agree with that. “If they were willing to take that chance, I was, too.” – From ESPN


Mad Men Returns and Reviewed

USA Today gives it four stars (out of four) and says:

… There is always meaning to Mad Men’s madness and passion under its control, along with an uncommon level of style, flair and wit. On a TV shelf crowded with cookie-cutter products, Mad Men is an original. You don’t have to buy it, but you should at least try it out. …

Entertainment Weekly gives it an “A-minus” and says:

… As with so much about Mad Men, some of it is overheated but never half-baked, and the opening hour rises like a nearly flawless soufflé of sex and salesmanship. … New business strategies (firings, job shifts) get implemented by the ad agency’s new owners, embodied by Fringe’s Jared Harris, who is dry, conniving, and quietly contemptuous of his American counterparts. Hoo boy, is this Brit going to be a jolly good villain to secretly root for!

The New York Times says:

… Over dinner, an eager stewardess chirps to Don about her travels. His reply is typically inscrutable. “I keep going to a lot of places and ending up somewhere I’ve already been,” he says. It’s the third season, and we still want to go with him.

The Los Angeles Times says:

… This is a moral drama, a show about deciding who you are and who you want to be, of character as the sum of small choices. There are no heroes or villains here, only people working out or being carried toward their individual destinies. And in who we root for and in what we root for them to choose, we also define ourselves.

The Washington Post says:

… Never has a show soared to such critical altitude and niche devotion on the art of the cold stare, the unfinished sentence, the trailing plot point. … Everything “Mad Men” claims to be about — from the deception of advertising and the idea that nothing and no one are really as they seem; to the moments just before postmodern American culture exploded; to the imbalances of gender, sexuality and sometimes race, then and now — it comes by in such a subtle way that at times it has been quite irresistible. But also disappointing. Boring, somehow. Heretical as it may seem to say, “Mad Men” is the truest example of style over substance. It is shackled by its attention to subtle detail and early-1960s clothing, objects and furniture.

The San Francisco Chronicle says:

Beyond being the finest series on television, “Mad Men” is both ambitious and exquisite, two of the ultimate rarities in the business. The Season 3 premiere on Sunday begins and ends with two wonderfully conceived and executed scenes and, when the hour closes, it leaves no doubt about its lofty goals. “Mad Men” wants to be indelibly brilliant. And after two seasons of accomplishing just that, there’s no reason given in the premiere to have any doubts about the third. …

The Newark Star Ledger says:

… remains the best show on television. … I enjoyed the season two premiere, but I imagine that its sedate, introspective style was a turn-off to the new viewers who were lured in by the $25 million promotional blitz AMC launched for that season. Sunday’s episode feels much more like a typical hour of “Mad Men,” yet it’s also far more welcoming of new viewers. The hour offers up office intrigue, romantic complications and a classic Don Draper pitch, not to mention the usual brilliant acting from all involved. …

The Boston Herald says:

… Despite the welcome humor, Weiner can’t give up the heavy-handed tricks he learned while scripting “The Sopranos.” … Like “The Sopranos” before it, “Mad Men” only has a 13-episode order. You just want to yell at the TV: Hurry up and use the time. Stop being stylish and start getting real. …

The Boston Globe says:

… In even the smallest details – watch how a stick pin travels through the episode – “Mad Men’’ remains TV at its most artful. Like Don Draper, it’s beautiful, stealthy, troubling, and, above all, addictive. …

The Hollywood Reporter says:

… A return to form, spellbinding and elusive as Don Draper himself. … As a “Sopranos” alumnus, the “Mad Men” executive producer graduated from the David Chase School of Storytelling. You not only don’t give the viewers what they want, you confound them by toying with their expectations. Maybe you even make them question those expectations in the first place. Want tidy resolutions to cliffhangers? Go watch “Desperate Housewives.” …

Variety says:

… Despite series creator Matthew Weiner’s “The Sopranos”-like approach of telling the stories he wants at the pace that suits him, the first hour hits the ground running a little bit faster, creating interesting plot lines for several of the returning characters while adding a compelling new presence. …


Robert Downey Jr. – the Next Vampire Lestat?

robertdowneyjr

WTF? Robert Downey Jr. as Lestat? The folks at Bloody Disgusting seem to think so. With the Twilight/True Blood/Vampire-of-the-day craze taking hold in Hollywood, it’s only logical that Anne Rice’s Lestat is brought back from the dead (bet no one ever wrote something as stupid as that comment).

But Robert Downey Jr.? WTF? Sorry, but he’s too old to be Lestat. You never know – folks were skeptical of Downey as Tony Stark – and that did magnificent.

We’ve been scrambling all week to confirm the following report, especially since it came from a very reliable source and is insanely logical considering the popularity of vampires these days. I guess something good has come from the success of Twilight as Bloody Disgusting has learned exclusively that Universal Pictures is looking to restart Anne Rice’s The Vampire Chronicles, which tells the tale of the vampire Lestat Du Lioncort (through his narration), a nobleman-turned-vampire in the late 18th century. No word yet on how they plan on unrolling this franchise, but we did find out who they are talking with to replace Tom Cruise and Stuart Townsend. Read on for the skinny. We have confirmed this afternoon that ROBERT DOWNEY JR. is in close talks to play the vampire Lestat in Universal Pictures’ The Vampire Chronicles, a newly rebooted franchise based on Anne Rice’s popular novels. – From Bloody Disgusting


Google Tricycle automatically blurs faces







So the Google Tricycle is hitting Europe, going off road. The California search engine leader has hired two cyclists to ride through Paris gardens, historical sites and other pedestrian-only areas on the device to take thousands of digital photos. For example, the are biking through the gardens of France’s Chateau de Versailles. The only difference this time, they are blurring the faces of the people they drive by:

To respect people’s privacy, Google has installed software that recognizes license plates and people’s faces and automatically blurs them, Dauba-Pantanacce said. Google will then choose the best photos among the thousands taken. The blurring comes to meet privacy concerns. – from MSNBC


This week in theaters: District 9, Time Traveler’s Wife, Bandslam, Ponyo, The Goods

district-9-poster

Wow. Lots o’ stuff opening this weekend. Here’s the rundown.

The sci-fi flick District 9 has generated good reviews and should capture the boy audience to the tune of around $25 million and the top spot for this weekend. Next should be The Time Traveler’s Wife, a sure girl-flick that will garner $17 million (although we’ve underestimated these chick flicks before, so $20 million isn’t unreasonable). Next will be the teen flick Bandslam, starring High School Musical alum (and frequent interweb nudie) Vanessa Hudgens. Look for a $8 million or so launch for the film. Finally, you’ll see the well-reviewed animated film, Ponyo, and the shitty-looking comedy The Goods: Live Hard, Sell Hard, will debut around $5 million. Holdovers GI Joe and Julia and Julia will net around $20 million and $12 million each. GI Joe may even fall further than that, as word of mouth hasn’t been great, and the fanboys will move on to District 9. G-Force and Harry Potter will also take in around $5 million each. Funny People will die a quick death, taking a few million – then poof – gone.

New this week.

District 9
Strong early buzz and reviews will propel this fresh looking sci-fi into a minor classic status. There are no names in the film, but Lord of the Rings guru Peter Jackson produced, giving newcomer Neill Blomkamp the chance to direct. The film was made for only $30 million, and should make a ton of money.

The Time Traveler’s Wife
A weepy romance based on a popular novel, the film stars Eric Bana and Rachel McAdams. Watch the trailer – if you wretch, skip it. If cry, go get in line. The film has had some delays, never a good sign.

Bandslam
The teen girls will sign on board for this film, but no one else will be there. Still, it looks cute enough and early reviews have been mostly positive. Unfortunately, it looks too much like a Disney film – which you can get by watching the Disney Channel.

Ponyo
Ponyo is from celebrated Japanese filmmaker Hayao Miyazak. Miyazak’s resume includes Oscar winner Spirited Away and Howl’s Moving Castle – two widely acclaimed films. Ponyo is receiving equally glowing praise, plus strong backing from Disney. Watch for solid numbers from fans and parents looking something for the kiddies. Ponyo will come around again come Oscar time.

The Goods: Live Hard, Sell Hard
This looks like shit. Even the red band trailer was dull. Jeremy Piven has a bad toupee and is playing up the worst parts of his persona.


Music legends comment on the passing of Les Paul

Les Paul, who pioneered the design of the solid-body electric guitar and multitrack recording, died on Thursday at a New York hospital of complications from pneumonia. He was 94. Following are comments from guitarists and music industry figures on his passing:

“My friend and mentor Les Paul died today at 94. He was one of the most stellar human beings I’ve ever known.” — former Guns N’ Roses guitarist Slash.

“Les Paul was truly a ‘one of a kind.’ We owe many of his inventions that made the rock ‘n roll sound of today to him, and he was the founding father of modern music.” — blues guitarist B.B. King.

“As the ‘Father of the Electric Guitar’, he was not only one of the world’s greatest innovators but a legend who created, inspired and contributed to the success of musicians around the world.” — Dave Berryman, president of Gibson Guitar.

“Three-time GRAMMY winner Les Paul was a musical mastermind whose innovations in electric guitar and recorded music are unparalleled … His magnetic charm and sunny disposition matched his incredible skill set and he will always be remembered with great fondness, humility, and respect.” — Neil Portnow, president of The Recording Academy.

“Les Paul set a standard for musicianship and innovation that remains unsurpassed. He was the original guitar hero, and the kindest of souls.” — guitarist Joe Satriani.


Apple Tablet is Here! First Look

apple-tablet

The web is all a buzz over the Apple Tablet. What’s the real scoop, when’s the timing?! Here’s the buzz:

But unless Apple unveils its so-called iTablet, a touchscreen device that’s supposed to be a cross between an iPhone and a full-fledged MacBook laptop computer, there are going to be a lot of disappointed Apple acolytes. – from All things D

The other big appearance the Apple faithful will be looking for will be Apple CEO Steve Jobs, who hasn’t made an official public appearance since a keynote presentation last October.

“The device, which I’ve held mock ups of, is going to have a 10 inch screen, and when I saw it looked just like a giant iPhone, with a black back— although that design could change at any time” they said, “with the same black resin back, and the familiar home button.” That’s obvious. “But it will come in two editions, one with a webcam and one for educational use.” – from Gizmodo

And today brings more people backing that up. Sources tell The Loop that the tablet will definitely not be a part of the September event (which is likely to focus on music and the iPod, just like all other Apple September events do). Jim Dalrymple writes:

Very reliable sources familiar with the product have said speculation of the tablet being introduced during the September event are flat out wrong. The Apple tablet, they said, would not see the light of day until the first part of 2010.

In linking to Dalrymple’s piece, Daring Fireball says basically the same thing, “I’m almost certain there’s no tablet coming this year. It’s a 2010 thing,” writes John Gruber, who also has a very good track record on these types of things. – from Techcrunch

The talks come as Apple is separately racing to offer a portable, full-featured, tablet-sized computer in time for the Christmas shopping season, in what the entertainment industry hopes will be a new revolution. The device could be launched alongside the new content deals, including those aimed at stimulating sales of CD-length music, according to people briefed on the project. – from FT


Lego, The Movie?!

Warner Bros. is toying with plans to develop a movie around Lego and its popular building blocks. Scribes Dan and Kevin Hageman are penning the script for the family comedy that will mix live action and animation. Warners is keeping the plot tightly under wraps, but it’s described as an action adventure set in a Lego world. – from Variety


Is Bryan Singer planning a Battlestar Galactica movie?

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Please no.

AICN’s old pal Drew McWeeny is reporting exclusively on his fancy new HitFix site that Bryan Singer, director of the first two “X-Men” movies, “Superman Returns” and “Valkyrie,” is “nearing a deal” to produce and perhaps direct a new big-screen “Battlestar Galactica” movie. I assume Drew got this directly out of the mouth of Singer’s “X-Men” producer Tom De Santo, who tirelessly pimped a Singer-De Santo revival of “Galactica” before Ron Moore took over the franchise, and seemed to begin again pimping a De Santo-led “Galactica” revival at last month’s Comic-Con. – From AICN


Google Opt Out Feature Lets Users Protect Privacy By Moving To Remote Village

Web users who choose to move to the desolate village are guaranteed an environment free from Google products and natural light from the sun.


Pee-Wee Herman is back

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“Paging Mr. Herman, paging Mr. Herman.”

Paul Reubens has been going around for the past couple years saying that he was developing two new Pee-Wee Herman feature films, one for adults, one for children. Neither of which seem to have advanced past the “is there anyone crazy enough to fund either of these films?” phase, but that doesn’t mean that we haven’t heard the last of Pee-Wee. Reubens has announced that he will be reprising the character live onstage in Hollywood, will have a limited engagement beginning November 8th, 2009, at The Music Box @ Fonda. – From Slash Film


USA FAIL! G.I. Joe Tops the Box Office.

hottopicjoeI think I’m gonna move to France…. And wasn’t G.I. Joe some dude, ala James Bond but American, with a beard and had kung-fu grip?

Paramount’s “G.I. Joe: The Rise of Cobra” accomplished its mission Friday in posting the highest opening for an August non-sequel with a remarkable $22.3 million off 4,007 engagements. Most of August’s biggest openers in recent years, i.e. Universal’s “The Bourne Ultimatum,” New Line’s “Rush Hour 2” and Disney’s “Signs” typically clear the $20 million mark on their first day before posting a weekend take of at least $60 million. By Sunday, “G.I. Joe” looks to not only be part of that pack, but to own the third highest opening record in August behind “Bourne Ultimatum” ($69.3 million) and “Rush Hour 2” ($67.4 million).

In an effort to sidestep the bad reviews which its previous tentpole “Transformers: Revenge of the Fallen” received earlier in the summer, Paramount decided against screening “G.I. Joes” to critics, rather chose to generate positive word of mouth by showing the pic to key fanboy journos.

“G.I. Joe: The Rise of Cobra” earned a Cinema Score of A from males and females under 25 and a B from the same demo over 25, for an overall B+ score. The action pic based on both the comicbook series and the Hasbro action figure was co-produced by Spyglass Entertainment and producer Lorenzo Di Bonaventura for a pricetag of $175 million.

- from Variety


Stop Playing Homework and Do Your Video Games

A live performance for Seattle’s Marrowstone in the City program. The music was arranged by the genius Lennart Jansson (Link) and myself (Ash Ketchum). I choreographed all the extra bits behind us as we play as well as sang the Halo theme, of course. The Tetris bit is a tribute to the old a capella group that did game themes. Hope you enjoy.

Go ahead and subscribe if you enjoy. I’ll be sure to upload my future film school projects here, starting with my Pokemon/24 mashup radio drama. You read that right.

Order of performance:
The Legend of Zelda
Pokemon
Halo
Tetris
Kirby
Pong
Super Mario Bros.
Super Mario World

1st Violin – Koyo Kim (Mario)
2nd Violin – Gen Kim (Ash Ketchum)
Viola – Justine Preston (Luigi)
1st Cello – Lennart Jansson (Link)
2nd Cello – Sarah Stone (Princess Peach)


Patrick Swayze smokes dope to ease pain

Poor Patrick Swayze!

Finding it hard to eat and feeling so weak, Patrick Swayze is using marijuana as he battles aggressive pancreatic cancer, it has been claimed. According to the National Enquirer, the Dirty Dancing star, 56, has found that smoking pot helps ease his nausea, insomnia and anxiety. – from Here


YouTube Waterslide Video, Fake or Not?!

So, watch the below YouTube sensation of Bruno Kammerl going down a home made waterslide — so this YouTube video, fake of not!?

Bruno Kammerl built the biggest waterslide on earth and the test run was more than successful :-) Watch it!


Heath Ledger’s Final Film: The Imaginarium of Doctor Parnassus Trailer

The Imaginarium of Doctor Parnassus is a fantastical morality tale, set in the present day. It tells the story of Dr Parnassus and his extraordinary ‘Imaginarium’, a traveling show where members of the audience get an irresistible opportunity to choose between light and joy or darkness and gloom. Blessed with the extraordinary gift of guiding the imaginations of others, Dr Parnassus is cursed with a dark secret. Long ago he made a bet with the devil, Mr Nick, in which he won immortality. Many centuries later, on meeting his one true love, Dr Parnassus made another deal with the devil, trading his immortality for youth, on condition that when his first-born reached its 16th birthday he or she would become the property of Mr Nick.