Variety’s negative review of The Dark Knight
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Finally, I would have preferred to see The Dark Knight in 35 mm, not IMAX. (I will go see it again when it opens July 18.) While the sequences that were shot with giant cameras were stunning at the IMAX venue–especially the deep detailed helicopter shots over Gotham and the amazing car/truck chase filmed in Chicago’s freeway tunnels–I found the movie overwhelming. My brain starts to shut down when it gets over-pixillated, and this film goes on for two and a half hours.